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Kahpe Bizans tells us the story of Yetis Bey (Cem Davran) and his struggle with Byzantian Emperor (Illetyus) in a humorous way.
The film depicts a world in which Atatürk never became leader, the War of Independence never took place, and the Ottoman Republic continues to exist in a form adapted to the present day. The continuation of the Ottoman Republic instead of the Republic of Turkey, Ankara not being the capital, signs and license plates being in both Turkish and Arabic, and the sultan wearing a suit under his caftan are some of the tragicomic situations that make up the film's story.
Fed up with South America’s heat, the Maya, lured by rumors of golden soil, migrate to Anatolia, settling near Bağcılar and blending their advanced techniques with Turkish tribal culture. Their rapid rise, however, alarms Byzantium: peace-loving Emperor Klitor III is an avid Maya admirer, but his scheming wife, Empress Klitorya V, and his brother Muhteris conspire to eliminate Klitor, then abduct all Maya women to the imperial dungeons. Their twisted plan? By “improving” Byzantine lineage with Maya genetics while the men take local wives—“only God should know loneliness”—they intend to dilute the Maya’s flawless DNA into common stock.
Police Commissioner Önem leads a special investigations unit that solves tough cases involving violence against women.
A wealthy Hancioglu family owns vast estates in Cappadocia, Turkey. Yusuf (Murat Unalmis) is the oldest son of this family, therefore, he manages the family business and bears all the responsibility of the family. Yusuf is very handsome, rich and hardworking man. Thus, there are lots of women who want to be his bride but, Yusuf wants to get married with a woman whom he loves.
Idealist Public Prosecutor Selim Kara receives an offer he cannot refuse from the organized crime leader Selçuk Taşkın, whom he sent to prison 8 years ago. Selçuk Taşkın wants to testify in one of Prosecutor Selim's cases and his testimony will destroy the whole criminal organization. However, there is only one condition for this; the personal protection of his son, Akgün Gökalp Taşkın.
Deniz, a reliable, famous architect, and Güneş, a phenomenal editor, who decided to separate six months ago while on their way to a wedding, are swept into a journey that will change their lives with a message that arrives on their phones on the evening of the day they met by chance. This new adventure will make them discover the missing pieces of their old relationship and remind them of love.
Out of pure coincidence, Onur and Lale meet at the same place due to a blind date that is arranged by their mothers. The next morning they find themselves in the same bed.