Looking for movies, shows, games, or books similar to Manos a la obra? Check out these recommendations on mosaic.
A Spanish singer, known as "El Ángel", owner of a nightclub, lives a double life as an expert in alarms for gangs of thieves. In his last robbery, he betrays his partners, and his lover is kidnapped and he is blackmailed. Thinking that she has betrayed him, he abandons her to her fate. Finally, she committed suicide. El Ángel reconsiders his life and decides to become a monk. But his former life will meet him within the walls of the monastery.
Mario Leyva, famous singer in full glory harassed every day more for his "fans", takes the life that they allow him, dedicated to his art and directed professionally by his "manager". His popularity makes him be mixed in the advertising of a brand of cigarettes by advertising phrases that repeat themselves in all the languages.
Just when normalcy seemed to have returned to the Valencian town of Favara with Visanteta's marriage, tragedy strucks and she's widowed. To avoid the wrath of Saint Barbara after Visanteta's honor is threatened, they seek her a husband, but none lasts for long.
Tired of the monotony of her work, Mary O'Hara, executive of an important American company, travels to Acapulco for a few days in search of love and adventure. On the beach, her high hopes fade, since she only meets unscrupulous playboys. She declines all offers she gets until she meets Pancho el Golfo, a young man who makes a living as he can.
Peralejos, a quiet village in Upper Aragon, is a place where nothing ever happens. One day Angelino returns home to spend the holidays, an immigrant who drives a Mercedes and tells great wonders of Germany and their women. Pepe, fascinated by the stories of his friend, decides to immigrate, but his dream begins at five o'clock, cleaning windows, and ends at twelve o'clock pasting posters.
Berta is a German who comes to a small fishing village to marry Lorenzo, owner of an island and that only known her through his letters. The early days of their marriage are a constant disappointment, especially when it finds that her husband has no resemblance to the author of the letters. He lives embittered by an old story and is hated by all.
Zorrita Martínez is the stage name of Lydia Martínez, a Venezuelan artist based in Spain. Zorrita, however, runs into an unexpected problem: she cannot stay in the country any longer if she does not marry a man of Spanish nationality.