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Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.
A family who lives in the Swiss Alpes at the end of the 1920s is abused by a tyrannical drunkard.
Hans Fallada tells in his published after the war novel "The drinker" the story of the agricultural wholesaler Erwin Sommer, who flees from his narrow bourgeois relations under the burdens of the new times in the kingdom of the king alcohol, whose liberty and independence promises prove a lie - the only truth of the alcohol. On behalf of the WDR television play Ulrich Plenzdorf has adapted Fallada's 1944/45 novel for a film adaptation by Tom Toelle with Harald Juhnke in the main role of Erwin Sommer.
In 1534, the legendary Jan van Leyden, an Anabaptist, preaches in Münster, causing Catholics and Protestants alike to defect in droves—especially women. This leads to a bloody power struggle between the Anabaptists, the Church, the nobility, and the citizens, which ends in a long siege of Münster by the prince-bishop Franz von Waldeck.
A candidate in a game show is hunted by three men. He will get a Million DMark, if he survives for a week; the hunters will get the money, if they can kill the candidate. The audience of the show is watching the transmissions of twenty camera teams filming the hunt. The showmaster appeals to the TV-viewers to help either the candidate or the hunters, whomever they want.
Robert is magically attracted to Johanna. He observes and stalks her. Finally, the two get to know each other. But Johanna's relationship with Karl is not quite over.
After the death of her parents, Ria Rottmann is taken in by her friends, the Matern family. Patriarch Rolf Matern had once taken advantage of Ria's father in business. But as the shy love between Ria and Matern's son Heinz grows, the shadows of the past recede.
A Swabian shoe factory comes into the possession of the GDR as an inheritance. The new managing director "from over there" tries to reorganize production methods and working conditions from a socialist point of view. The idea is an appealing satirical "comparison of systems" that suffers from somewhat uninspired direction.
Takes an inside look at the making of the hit reality TV competition, exploring the good, the bad, and the complicated. Featuring interviews with former contestants, trainers, producers, and health professionals, the documentary examines the show's approach to transformation, the support systems in place, and the unique challenges of filming reality television.