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KVN is a Russian humour TV show and competition where teams compete by giving funny answers to questions and showing prepared sketches. The programme was first aired by the First Soviet Channel on November 8, 1961. Eleven years later, in 1972, when few programmes were being broadcast live, Soviet censors found the students' impromptu jokes offensive and anti-Soviet and banned KVN. The show was revived fourteen years later during the Perestroika era in 1986, with Alexander Maslyakov as its host. It is one of the longest-running TV programmes on Russian Television. It also has its own holiday on November 8, the birthday of the game, which KVN players celebrate every year since it was announced and widely celebrated for the first time in 2001.
Evening show Ivan Urgant. Movies, sports, new gadgets, art. What is happening in the country and in the world? Actual characters discussing the day's events and new music.
Four hosts discuss some current news and comment on different issues in politics and economics, similar to 7 Tage, 7 Köpfe. The show's name is a reference to the 80s TV program "Прожектор Перестройки" - a program that was discussing current events on Soviet television during the times of Perestroika - and American socialite Paris Hilton, who, according to Svetlakov, symbolizes lack of taste. Thus, the name of the show implies that this is a current events program that shouldn't be taken seriously.
Motoring programme featuring reviews of and reports about cars of all types.
Infographics and archival footage deliver bite-size history lessons on scientific breakthroughs, social movements and world-changing discoveries.
A look at the life of Australian pop star Kylie Minogue, who opens her personal archives and reflects on a career in which she has sold 80 million records and reinvented herself, and by extension pop, several times. Home movies, personal photographs and new interviews reveal the picture, as Kylie addresses how she’s faced public scrutiny, personal loss and illness.
An insider's look at the engineering and scientific miracles behind the things that form the modern world.
An in-depth look at the history and pop cultural significance of horror films.
This compelling series investigates the motives and m.o. of female murderers. While males are often driven by anger, impulse and destruction, women usually have more complex, long-term reasons to kill.