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Agora é Tarde is a Brazilian late-night talk show produced by Eyeworks and broadcast by Rede Bandeirantes since 2011. The show is hosted by Danilo Gentili and is the second most successful show by Bandeirantes.
Custe o Que Custar is a Brazilian television comedy show, produced by Eyeworks and aired weekly by Rede Bandeirantes since March 17, 2008. It is presented by Marcelo Tas, and has in its team Marco Luque and Oscar Filho. The news reports are conducted by Felipe Andreoli, Monica Iozzi, Mauricio Meirelles, Ronald Rios and Dani Calabresa. The program covers weekly events from Politics, Arts and Sports, from a humorous and satirical viewpoint. It oftens uses metalanguage by satyrizing the very program on live transmissions, and introducing graphics and sound effects from the subjects. The format comes from Argentina, when it was originated under the name Caiga Quien Caiga, created in 1995 by Mario Pergolini
The misadventures of an average kid as he contends with questionable guidance from the well-meaning grownups around him.
From the creator of "BoJack Horseman" comes this animated comedy about a family over time, following siblings from childhood to adulthood and back again.
Squidbillies is an animated television series about the Cuylers, an impoverished family of anthropomorphic hillbilly mud squids living in the Appalachian region of Georgia's mountains. The show is produced by Williams Street Studios for the Adult Swim programming block of Cartoon Network and premiered on October 16, 2005. It is written by Dave Willis, co-creator of Aqua Teen Hunger Force, and Jim Fortier, previously of The Brak Show, both of whom worked on the Adult Swim series Space Ghost Coast to Coast. The animation is done by Awesome Incorporated, with background design by Ben Prisk.
The Littles is an animated television series based on The Littles characters in a series of children's novels by American author John Peterson, the first of which was published in 1967. This cartoon was produced by a French/American/Canadian animation studio, DIC Entertainment, and as standard practice for TV cartoons of the period, the animation production was outsourced overseas to the Japanese studio TMS Entertainment. It was post-produced by a Canadian Animation studio, Animation City Editorial Services.